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F1 · Monaco Grand Prix
A
00:00:42:18
Storyboard
Sequence 1
Tracks
+ 25%
0:00
00:00:30:00
00:01:00:00
00:01:30:00
00:02:00:00
00:02:30:00
00:03:00:00
00:03:30:00
Video 2
Video 1
Audio 1
pit-stop.mov
crowd.mov
start-line.mov
lap-3.mov
finish.mov
Architecture

System-first architecture.

Context from the timeline and other media items drive generation - turning outputs into consistent films, not isolated shots
Generatingsequence_03 · shot_081 · v4
16:9 · 35mm · cold gradev4 · 2s
Context feeding this shot
Timelinesequence_03 · 02:14 – 02:284 clips, V1
Referencetunnel_ref_01.jpg35mm visor close-up
Gradesequence_03.cubecold · -120K · crushed blacks
Prior decisionhandheld · 1.85:1anamorphic flare off
Agents

Agentic and Stateful by default.

Every message in the conversation lives - remembers your timeline, references, and prior decisions - so Rejig starts informed. Scale with parallel agents and workflows
Agentthread alive · 3 turns · 14m
Keep it consistent with the tunnel sequence. Tighter visor close-up on the overtake.
Pulled timeline selection4ms
Loaded 3 pinned references12ms
Applied prior decisions2ms

Placed shot_081_v4 on Video 2. Reused the 35mm visor from tunnel_ref_01 and the cold grade from sequence_03.cube.

now give me a matching two-shot on the driver's side
Pipeline

Agentic integrations inside your pipeline

Rejig's agent can execute natively in Blender, Maya, Nuke, Resolve, Premiere, and Final Cut - AI adopts the way artists work, not the other way round
Running in
BlenderBlender
Maya
Nuke
Resolve
Premiere
Final Cut
Block out the cathedral, three-point rig on the altar, 50mm on the celebrant.
import Cathedral.fbx42 objects0.4s
add Lighting_3pt rigKey · Fill · Rim0.2s
set Light_Key · 3200K · −18°420W area0.1s
add Camera_50mmf/2.8 · 24fps0.1s

Scene built inside cathedral_setup.blend. 4 objects added, driven by Rejig.

Rejig executes natively, no plugin bridge0.8s · 4 ops
Scale

Terabytes of footage, processed in minutes.

Rejig's agent sees and indexes raw footage at production scale - hundreds of machines watching thousands of clips while you sketch the edit
Shot index18,412 clips
128 workers · 24.3 GB/s
04:12 elapsed · 74%4.8 TB scanned · 13,624 indexed
Ask the index
handheld close-ups of Anyaavg 3.4s · 35mm
218 clips
cathedral interiors, golden houravg 8.1s · 14 setups
47 clips
usable takes, clean audioavg 6.7s · −38 LKFS
1,204 clips
Editing

Full Agentic Editing

Edit with agents in natural language. Ship timelines to Premiere, DaVinci Resolve, Final Cut - OpenTimelineIO, XML, EDL, or an MP4.
Sequence 03 · 01:42agent editing
Tighten the opening. Cut 4s from the wide, push A2 in 6 frames, swap shots 3 and 4.
Trim wide−04:000
Swap CU/MS3 ↔ 4
Shift A2−06 frames
Ripple delete01:18 – 01:22
Timelinebeforeafter
00:00 - 01:42
V1
A2
Ship
Premiere
Resolve
Final Cut
OTIOXMLEDLMP4
Why Rejig

Why is RejigAI the best way to make films?

Context-aware generations and agentic UX.

Make consistent films, not isolated shots.

100% control with mathematical guarantees.

Generate best-in-class quality, consistently.

Specialised agents for filmmaking, VFX, and editing.

Built to make you extraordinarily productive.

Every frontier model in one place.

Or host open-source models locally, on your terms.

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